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Micah Levy

Composer

Manager and Publisher
David Stevens, Abstraction Music Group

Email abstraction.musicgroup@gmail.com

Phone â€ª(857) 245-5213‬

about

ABOUT MICAH

Micah Levy (b. 1953, California) is an American composer, conductor, and hornist. His music has been performed by the Dallas, San Diego, Utah, Fort Worth and Hartford Symphonies, as well as concert bands of Michigan State University, Fort Sam’s Own Army Band, Cal State University Fullerton, and the Alabama Materiel Army Band.

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Full Bios Here

resumé

COMPOSITIONS

Propulsion (In-Progress)​

  • Concerto for euphonium and orchestra

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Let Every Breath Praise (2024)

  • For SATB Choir and chamber ensemble

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Romp for horn quartet, strings, and percussion (2023)

  • 4 minutes

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Rendezvous of Ursa Major and Cousin Grizzly (2023)

  • For tuba and percussion

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Death Valley Kangaru (2022)

  • Version for tuba and orchestra

  • Version for tuba and band

  • 10 minutes

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Elision: An Ending and a Beginning (2022)

  • For alto sax, trumpet, piano, and percussion

  • 4 minutes

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Gold Rush (Yee-Haw!) (2021)

  • For saxophone trio (ATB)

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Tea for Three (2021)

  • For saxophone trio (ATB)

  • 3 minutes

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St. Patrick's Armor (2020)

  • For Wind Ensemble

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The Enthusiast Polka (arr.) (2018)

  • For three trumpets and concert band

  • 2 minutes

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Renaissance Charms (arr.) (2018)

  • For concert band

  • 4 minutes

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Whaaack! (2016)

  • For solo percussion and band

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Romp for Band (2015)

  • 4 minutes

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Romp for Horn Quartet (2012)

  • 4 minutes

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Kinetic (2011)

  • For wind ensemble

  • 4 minutes

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The Monster (2010)

  • For two pianos

  • 10 minutes

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Of Butterflies and Jaguars (2009)

  • For alto saxophone and string orchestra

  • 18 minutes

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Fresh Air (2009)

  • For trumpet and marimba

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Joy (Mostly!) (2008)

  • For concert band

  • 5.5 minutes

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Oink! (2008)

  • Variations on Old MacDonald's Farm

  • 12 minutes

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Vivaldi Played a Mar Mitzvah Gig (2008)

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The Probably Untrue Story of Mary (who) Had a Little Lamb (2000)

  • For narrator and orchestra

  • 26 minutes

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The Eagle Soars Again (2000)

  • For mixed chorus and percussion​

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Peter Piper’s Practical Principles of Plain and Perfect Pronunciation (1999)

  • For narrator and orchestra

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